"You've never read a manual as warm, friendly, liberating, thorough, and potentially sex-life-changing as the Guide To Getting It On! Neither had anyone in our office―which may be why our copies keep disappearing." ― Oprah Magazine "Finally. A book about sex you'll actually want to read!" ― Playboy Few people had heard of Bumble and Hinge when the last edition of the "Guide to Getting It On" went to press four years ago. No one would have guessed that Chaturbate would become the 28th most popular website in the US, or that women in college would pay for their tuition by selling pics and panties on a website called OnlyFans. And good luck to any guy who calls a woman to ask her for a date instead of texting, because she'll probably think he's a stalker. Anyone who says "Why does a book on sex need a new edition?" needs to throw away their flip phone. Today's young adults are the first generation who began watching the most explicit porn in history on their phones in Middle School. They have very different expectations and needs from a book on sex, and those needs are changing as rapidly as technology is changing. There have been hundreds of studies done in the past four years on everything from female orgasms to how semen influences a woman's immune system to not kill sperm. You'll find it all in this new edition of The Guide. And the new chapter on consent will hopefully do a much better job of helping you understand what consent is and isn't than Title IX with its strange little slogans.

An authoritative introduction to one of the most influential painters in the history of art, written by the pre-eminent authority on the subject and informed by the latest research. More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphael's work and discusses all aspects of his artistic output. He traces Raphael's career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphael's employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Rome's artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphael's versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.

Giorgio Vasari's The Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1568) is a classic of cultural history. A monumental assembly of artists' lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. This illustrated standalone edition of Vasari's Life of Raphael offers a new translation of this rich and remarkable 'Life', elegantly rendering Vasari's literary text in modern terms. A work of authoritative skill and precision, the translation preserves Vasari's compelling narrative, while beautifully reproduced illustrations bring it newly to life. Editors Paul Joannides and Rick Scorza bring together the original and expanded Italian editions of 1550 and 1568, with succinct commentary drawing upon their expert knowledge of Raphael's career.

The first publication to consider the relationship between these two major artists of the High Renaissance Through most of Michelangelo's working life, one of his closest colleagues was the great Venetian painter Sebastiano del Piombo (1485 -1541). The two men met in Rome in 1511, shortly after Sebastiano's arrival from his native city, and while Michelangelo was based in Florence from 1516 to 1534 Sebastiano remained one of his Roman confidants, painting several works after partial designs by him. This landmark publication is about the artists' extraordinary professional alliance and the friendship that underpinned it. It situates them in the dramatic context of their time, tracing their evolving artistic relationship through more than three decades of creative dialogue. Matthias Wivel and other leading scholars investigate Michelangelo's profound influence on Sebastiano and the Venetian artist's highly original interpretation of his friend's formal and thematic concerns. The lavishly illustrated text examines their shared preoccupation with the depiction of death and resurrection, primarily in the life of Christ, through a close analysis of drawings, paintings, and sculpture. The book also brings the austerely beautiful work of Sebastiano to a new audience, offering a reappraisal of this less famous but most accomplished artist. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (03/15/17-06/25/17)

The names of Masaccio (1401-28) and Masolino (1383-1440) are inseparable, and their collaboration is an essential starting point for the study of either artist. Masaccio's Holy Trinity and the recently cleaned collaborative frescos in the Brancacci Chapel in Florence are key works in the development of Western art. Paul Joannides' catalogue raisonne forms a uniquely authoritative and perfectly up-to-date study of the total oeuvre of both artists. Composed with lucidity and richly illustrated, it makes accessible to all lovers of art - from the connoisseur to the casual reader - some of the greatest paintings of the early Renaissance, and most momentous works of Western painting.

This volume comprises the fullest and most detailed catalogue of the drawings by and after Michelangelo in the Ashmolean Museum. It is one of the most important collections of drawings by this artist, which also includes drawings after his own by contemporaries that shed light on lost works as well as the artist's reputation and influence during the sixteenth century. The introduction provides a history of Michelangelo's drawings generally and also surveys the various types of drawing practised by Michelangelo and an account of his development as a draughtsman. Most of the drawings in the Ashmolean Museum came from the collection of Sir Thomas Lawrence, and this book contains a detailed appendix that traces the histories of all of the drawings by or after Michelangelo that Lawrence owned, both before he acquired them and after they were dispersed.